Presented by Harlem Sculpture Gardens

Morningside Park & 113th, Harlem, NY - Directly across from the Morningside Pond

In my artistic practice, I embark on a journey deeply rooted in the natural world, where tree stumps and branches become the raw materials for my sculptures, and natural dye pigments are the palette through which I explore the rich tapestry of African American legacy and memory. This endeavor is a harmonious fusion of inspiration drawn from the profound poetry of Lucille Clifton's book "Mercy" and the transformative concepts of Black Compositional Thought introduced by the visionary artist Torkwase Dyson.

At the core of my artistic expression lies a profound reverence for the Earth's offerings. I view tree stumps and branches not merely as discarded remnants, but as vessels of history, resilience, and interconnectedness. In these natural forms, I find a narrative waiting to be unearthed. Each piece of wood, scarred by time and the elements, carries the whispers of generations past, evoking memories and stories that have shaped the African American experience.

My use of natural dye pigments serves as a bridge between the earthly elements and the vibrant hues of African American culture. Just as the dye penetrates the fibers of the fabric, so too does the legacy of African Americans permeate the fabric of our society. I harness the power of color not only to imbue my sculptures with life but also to symbolize the spectrum of emotions, resilience, and strength inherent in African American history.

Lucille Clifton's poetry, particularly from her seminal work "Mercy," serves as a wellspring of inspiration. Her words speak to the enduring spirit of the African American community, touching upon themes of identity, survival, and collective memory. Through my art, I aim to translate Clifton's poetic narratives into tangible, three-dimensional forms, creating a visual language that resonates with viewers on a visceral level.

Torkwase Dyson's concept of Black Compositional Thought further informs my artistic process. It invites me to consider how Black individuals have historically engaged with and contributed to the spaces they occupy. This notion transcends the physical realm and extends into the spiritual and intellectual realms, inspiring me to shape my sculptures not only as objects but as conversations with the environment, with history, and with the human experience.

In this natural art practice, I strive to create sculptures that are not only aesthetically compelling but also carry a profound message. Through the transformation of foraged tree stumps and branches into evocative forms and the infusion of natural dye pigments, I hope to contribute to a broader dialogue about the resilience and creativity of the African American community. My art invites viewers to engage with these narratives, to reflect on our shared history, and to appreciate the enduring beauty that emerges from the confluence of nature, culture, and memory.